Disparate Visions at JayJay By Victoria Dalkey Bee Art Correspondent Published: Friday, Oct. 3, 2014 – 12:00 am Both are abstract painters, but that’s where the similarities between Mark Emerson Read more
Submerge Magazine: Issue 159 (April 7 – April 21, 2014)
Michael Sarich’s visual diaries at JayJay By Victoria Dalkey Bee Art Correspondent Published: Thursday, Apr. 3, 2014 – 4:00 pm Mickey Mouse, the Wal-Mart Smiley Face, the Devil Girl Tattoo, Read more
David Wetzl @ JayJay A widely shared expectation for artists is that they reflect the historical moment they inhabit. But for painter David Wetzl that’s never been enough. Wetzl accepts Read more
Consciousness as colorful art By Victoria Dalkey Bee Art Correspondent Published: Thursday, Feb. 13, 2014 – 6:23 pm David Wetzl is one of the most intriguing artists to have emerged Read more
By Victoria Dalkey Bee Art Correspondent Published: Friday, November 29, 2013 Joan Moment and Roger Berry, two of Sacramento’s top abstractionists, share the space at JayJay this holiday season. Moment Read more
A Moment in Time By Marc Weidenbaum Published in October/November Issue Sactown Magazine Artist Joan Moment reflects on an upcoming Sacramento exhibit and six decades of adventurous art, including landing Read more
Michael Stevens and Suzanne Adan @ JAYJAY By David Roth Published Oct. 13, 2013 SquareCylinder.com If you’ve ever been betrayed, double-crossed, disappointed or threatened with violence, chances are Michael Stevens Read more
Victoria Dalkey: At JayJay, a marriage of the eccentric narrative art By Victoria Dalkey Bee Art Correspondent Published: Thursday, Sep. 26, 2013 – 12:00 am Adan’s “Sugar Daddy” juxtaposes paint-by-number paintings of Read more
Featured piece: Central Park, New York City Sky No.3, by Stuart Allen.
The composition is composed of 9 pixels. The only colors that the work relies on are varying shades of grey. Grey is one the most elusive colors because it can be seen as the most flat and neutral tone. This is an inspection that occurs on the surface. We want to believe that minimalist art exists somewhere on the exterior. What we see is what we get, and with that said it is presumed that the reading of the work offers an instantaneous and immediate delivery. As with most things nothing is truly what it seems. When we as viewers clear out any baggage that is brought to the work, we are able to articulate visual art with a brand new set of eyes.
The optical restart button is pushed, and nine squares of grey reveal ulterior worlds that exist beyond what we once believed were obvious. No color is ever particularly true to itself, and the color grey is no exception. When we meditate on this piece, what seems flat and cold, presents warmth that radiates on the color’s surface. Our eyes dash in between each iteration, as it is almost entirely impossible to focus on a single square. The eye attaches itself to numerous patterns that filter in and out of connectivity; defined by subtle differences, they defy preconceived notions. Through simplicity, we are able to view the work from the inside out; an introduction to a barrage of possibilities.
For a closer look at, Central Park, New York City Sky No.3, as well as other works by Allen, visit JAYJAY, Wednesday – Friday 11-4.
5524 B Elvas Ave.
Sacramento, CA 95819
Gallery Hours 11am-4pm or by appointment