Robin Hill – Critical Matters 2.0

Robin Hill’s work focuses on the intersection between drawing, photography, and sculpture. The underlying conceptual thread that moves throughout her work is her interest in collection, extraction, and re-presentation, and in transforming seemingly inconsequential matter into meaningful statements about matter itself, which ultimately becomes a mediation on time.  She strives to give shape to nuance and to relocate familiar things in an unfamiliar order.

Hill is the recipient of two Pollock-Krasner Foundation Awards, two New York Foundation for the Arts Fellowships in Sculpture, a National Endowment for the Arts Sculpture Fellowship. Her work has been reviewed by the New York Times, Art Forum, and the New Yorker and many more. She is on the faculty of the Studio Art Program, Department of Art and Art History, at the University of California at Davis.